August 2024 – Digital Palaeography

Saint Augustine of Hippo: From a Manichean Theologist to a Bishop

Saint Augustine of Hippo (354-430) was a theologian and philosopher of North African origin. He was born in Thagaste, now Souk Ahras in Algeria and was the bishop of Hippo Regius, under the Roman Empire which is currently Annaba in Algeria. He is considered one of the pillars of the Church Fathers who established the intellectual cornerstones of Christianity. His writings have been influential in the development of Western Christianity and Western philosophy. The Spring School of Paleography 2024 provided me with the opportunity to visit the Basilica of San Pietro in Ciel d’Oro in Pavia, where a reliquary houses the sacred remains of Saint Augustine

Painting of Saint Augustin by Philippe de Champaigne

Augustine’s Encounter with Manichaeism

At the age of seventeen, Augustine embarked on an intellectual and spiritual exploration within Manichaeism, attracted by its synthesis of Christian doctrine and Persian dualism. This engagement during his Carthaginian period was driven by a search for a rationalistic interpretation of faith, which Manichaeism appeared to offer through its narratives on the nature of evil and human sin. The sect’s portrayal of a cosmological conflict between light and darkness appealed to Augustine, promising an enlightened perspective that aligned with his critical pursuits.

Following a period of deep engagement with Manichaeism, Augustine’s journey took him through phases of hedonism, skepticism, and profound philosophical inquiry, leading to a state of disillusionment with the various doctrines he had encountered. His pursuit for truth and understanding led him into the depths of “Academic Doubt,” a skepticism rooted in the teachings of the Platonic Academy, which questioned the very possibility of knowing truth. This phase of existential doubt plunged Augustine into a profound depression, as he grappled with the futility of finding absolute truth through human intellect alone.

The Path towards Embracing Christianity

Amidst a profound disillusionment with Manichaeism, astrology, and prior intellectual engagements, Augustine confronted the profound question of whether absolute truth could ever be apprehended by human intellect. His explorations led him to encounter Neo-Platonism, which, drawing from Plotinus, advocated for an introspective quest away from the fallible sensory world towards the immutable truths that stand beyond empirical scrutiny. This philosophical pivot facilitated Augustine’s recognition of certain indubitable truths concerning his own existence, cognition, and intrinsic value.

This epiphany, underpinning a newfound reconciliation with the notion of unchanging truth, significantly propelled Augustine towards a spiritual and intellectual transformation. Parallel to this internal journey, Augustine’s interactions with Ambrose, the influential Bishop of Milan and a master of rhetoric, enriched his understanding and appreciation of Christianity, bridging his philosophical revelations with theological insights. This amalgamation of introspective discovery and theological engagement culminated in a critical juncture in Augustine’s life, laying the foundational groundwork for his eventual conversion to Christianity, marking a decisive turn in his life.

Augustine’s Baptism

In 386, Augustine’s conversion in Milan led him to prepare for baptism under Bishop Ambrose’s guidance, paralleling today’s RCIA (Rite of Christian Initiation of Adults) program. This preparation involved detailed instruction, scrutinies to assess sincerity, and ceremonies emphasizing commitment to Christianity. Augustine and his companions, including his son Adeodatus, underwent a transformative preparation period, culminating in a deeply impactful baptism ceremony during Easter 387. This experience, enriched by the liturgical music and rituals, led Augustine to a profound realization of peace through unity with the Creator, famously expressing, “You made us for yourself and our hearts find no peace until they rest in you.” Augustine’s baptism was a pivotal moment, marking his formal entry into the Christian faith alongside his son.

Augustine the Bishop

After his return to Thagasthe, Augustine formed a community in Hippo. His journey to becoming Bishop of Hippo began with his ordination as a priest in 391, during which he established a monastic community for clergy on church grounds. This community blended monastic life with apostolic duties, emphasizing communal living and strict poverty. Upon becoming assistant bishop in 395, Augustine expanded this communal model to his episcopal household, living and working alongside his clergy under a rule that stressed humility and service.

Valerius, the then Bishop of Hippo, identified Augustine as his successor early on, navigating the canonical hurdles to appoint him as coadjutor bishop despite a false scandal. Augustine’s approach to his episcopal role was deeply influenced by his monastic ideals, focusing on serving Christ humbly and prioritizing communal over individual interests. Throughout his tenure, he balanced the spiritual and administrative demands of his office, advocating for a Christian identity that transcended his clerical duties and laying a foundational example for future religious communities.

Tombeau de Saint Augustin d'Hippone / Tomb of Saint Augustine of Hippo — The Tomb of Saint Augustine of Hippo in Pavia

The Spring school was an opportunity that allowed me to connect personally with the legacy of one of Christianity’s most influential figures. The presence of the relics of Saint Augustine not only serves as a tangible link to the past but also embodies the culmination of his journey and teachings. It was a unique spiritual occasion to embrace the past within the walls of a sacred space that has safeguarded his legacy for centuries.

Bibliography:

Brown, Peter. Augustine of Hippo: A Biography. University of California Press, 2000.

LANCEL, Serge. Augustin et la société féminine de son temps In : Saint Augustin : La Numidie et la société de son temps [en ligne]. Pessac: Ausonius Éditions, 2005

Gafford II, J. A. (2015). The life and conversion of Augustine of Hippo. Tenor of Our Times, 4(1).

http://www.augnet.org/en/life-of-augustine/

A Walk Through the Castello Visconteo: Part 1 – A Quick Look Inside The Courtyard

Let us step inside the walls of Visconti Castle, at the heart of Pavia, a must-visit castle if you ever visit this small town. Not to be mistaken with other castles with the same name, Castello Visconteo di Pavia is only 50 minutes away from Milan by train. Our little series, Walk Through the Castello Visconteo aims to give you a glimpse of the castle and the museums (Musei Civici di Pavia), where the history breathes through every stone and fresco. Built between 1360 and 1365 under the rule of Galeazzo II Visconti, the castle stands as an example of Lombardia’s late Gothic architecture. Although the northern wing of the castle was lost during the Italian War of 1521-1526 under attack by France, today the majority of the castle remains intact and still as captivating as it was first built.

Once you step into the castle, you get to explore not only the castle itself but also the museums it is housing. With our blog series, we will take you on a swift tour of the castle and these museums. We will start with the rooms that successfully preserved some unique frescoes from the periods of two ruling families of Milan: Sforza (1450-1535) and Visconti (1277-1447).

Despite the castle’s partial destruction, the remaining structure still reflects the artistic and architectural brilliance of its era. Visitors can explore the courtyard, the portico, and the loggia with a modest entry fee of 1 euro, while the castle’s rooms house museum collections are accessible with a Civic Museums ticket, which costs 10 euros, or even as cheap as 5 euros on some festive days.

A Glimpse of the Courtyard

Standing in the courtyard, one cannot help but notice the harmonious yet distinct look of the architectural complex. Originally designed as a square structure approximately 150 meters on each side, complete with four corner towers, the castle’s perfection was slightly spoiled by the destruction of the northern wing. Yet, this does not change the majestic atmosphere that fills the space.

Built swiftly after Galeazzo II Visconti’s conquest of Pavia in 1359, the castle was ready for decoration by 1366, when Galeazzo II sought the finest painters of the time to adorn its walls. Today, visitors can still admire the surviving frescoes and sinopias that speak of its grand past.

“The lunette preserves fragments of an almost illegible frescoed composition, which was part of a narrative cycle dedicated to the exploits of Galeazzo II Visconti, the lord who, after conquering Pavia in November 1359, had the castle built as the residence of the Visconti court and adorned it by calling the best painters active in northern Italy.
This cycle occupied the sections of the walls of the lunettes under each arch, probably without interruption, as demonstrated by the presence of the fragment found under the impost of the sub-arch near the passage from the west ravelin…. Along the edges of the lunettes and the ribs in the vaults, there are still geometric decorations here and there – with cosmatesque stars, polylobed frames, and vegetal elements – sometimes resulting from early 20th-century restorations presumably based on pre-existing models.“
– Description Label of the Fresco, in Castello Visconteo

Throughout your walk, pay close attention to the details that offer insights into the daily life and history of the castle:

• Inscriptions:

Painted above some doors, these inscriptions indicated the function of the rooms within.

• • •

• Stonecutters‘ Marks:

Engraved into the stones used for columns and other structures, these marks reveal the craftsmanship behind the castle’s construction.

• • •

• Graffiti:

Spanning from the 16th century to the 19th century, when the castle served as a barracks, these markings provide a personal glimpse into the lives of those who once inhabited this space.

• • •

The Castello Visconteo of Pavia is more than just an architectural marvel; it is a living museum that encapsulates centuries of history, art, and culture. As you wander through its halls and courtyards, you are not merely observing relics of the past, but engaging with the stories and legacies that have shaped this magnificent structure. Enjoy your journey through time and let the echoes of the past enrich your understanding of the present.

We hope that our introduction to the Castello Visconteo was enough to grab your attention! Please stay tuned for Part 2!

BIBLIOGRAPHY

Black, Jane. Absolutism in Renaissance Milan Plenitude of Power under the Visconti and the Sforza, 1329-1535 Jane Black. 1st ed., Oxford Univ. Press, 2010.

“Il Castello.” Il Castello – Musei Civici Di Pavia, museicivici.comune.pv.it/site/home/il-castello.html. Accessed 23 Apr. 2024.

Milano, Archivio Storico Civico e Biblioteca Trivulziana, Cod. Triv. 1390, fol. 3r

Ponzi, Marco. “Mythical Origins of the Visconti Coat of Arms.” Medium, ViridisGreen, 28 Apr. 2024, medium.com/viridisgreen/mythical-origins-of-the-visconti-coat-of-arms-e98778ed2671.

“Sito Ufficiale Castello Sforzesco: L’edificio.” Sito Ufficiale Castello Sforzesco | L’edificio, www.milanocastello.it/en/edificio-voci. Accessed 6 May 2024.

Summer School of Digital Paleography

In the summer of 2023, Göttingen University hosted a 12-day summer school program dedicated to the study of digital paleography. This intensive program delved into various paleographical topics, offering participants a comprehensive exploration of Latin manuscript scripts from the medieval.

The curriculum was thoughtfully structured, with morning sessions focused on the history and transcription of Latin scripts, and afternoon sessions introducing participants to cutting-edge digital methodologies and tools. These included fragmentology, codicology, editing, cataloging, TEI-XML, and advanced imaging techniques such as hyper- and multispectral imaging.

The summer school provided a unique opportunity for participants to engage deeply with leading experts and professionals in the field, acquiring the latest knowledge and innovative approaches to the study of paleography.

Most of the sessions took place at the Digital Humanities department, where a typical day began with instructional lectures followed by hands-on exercises or samples for practice. This format ensured that the knowledge we learn was directly applicable to our research, aligning perfectly with the overarching goal of the program: to equip us with practical skills and insights that we could integrate into our academic work.

Dr. Dorofeeva, the head of paleography, led many of the sessions, guiding us through the major scripts to provide a condensed yet thorough overview of paleographical study. Her teaching style was highly interactive and we had a lot of chances to pose questions and to discuss several interesting topics. In afternoon sessions at the university library, she guided us in selecting specific scripts for individual research projects. In line with the program’s focus on digitalizing this discipline, we were encouraged to use digital tools to document and enrich the archival information of the manuscripts we studied.

Ms. Kipke, an expert in image science, delivered a captivating lecture on digital approaches to image analysis. Her research, which involves intricate details and complex methodologies, was nothing short of fascinating, and her presentation was exceptionally informative.

One of the highlights of the program was a session at the Göttingen University Library with Professor Winfried Rudolf. He gave an insightful lecture on insular scripts and granted us the rare opportunity to examine a writing sample from the university’s collection up close.

Overall, the summer school was an incredible experience, offering invaluable learning opportunities from top experts in the field. It was an excellent opportunity to acquire knowledge and skills that will undoubtedly enhance my research and further my studies in paleography.