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The Abbey of Saint Andrew

This text was written by the MA student Luana Moraes Costa.

The Basilica of Saint Andrew was founded between 1219 and 1227 on the initiative of Cardinal Guala Bicchieri, who had just returned from England where he had served as papal legate. Bicchieri received perpetual rights to the income of St. Andrew’s Church in Chesterton, near Cambridge, from King Henry III. With this financial support, he brought Augustinian canons from Saint-Victor in Paris to oversee the construction of the new abbey and pilgrim hospital along the Via Francigena, with the hospital’s construction commencing in 1224.

The Basilica of Saint Andrew. Photo: Carlo Dell’Orto, 2013. From Wikimedia Commons.

The French influence on the basilica’s construction was significant, particularly regarding the introduction of Gothic elements. Although the architect remains unknown, it is presumed that the Gothic lines of the new edifice were introduced by French clerics, including Abbot Thomas Gallus, previously a professor at the University of Paris.

Inside of the Basilica of Saint Andrew in Vercelli. Photo: Luana Moraes Costa, 2024.

The cloister of the basilica, built in the 13th century and later remodeled during the transition from the Vittorini to the Lateran canons, remains a crucial element of the monastery’s architecture.

Cloister of Saint Andrew’s Abbey in Vercelli. Photo: Luana Moraes Costa, 2024.

Inspired by Cistercian models, the presence of both Gothic and Romanesque influences in the basilica connects it to the architectural traditions of northern Italy and suggests the involvement of an Italian master in the design. The fusion of these architectural styles gives the basilica a unique identity and reflects the cultural and artistic exchanges that were prevalent during the construction period. 

Inside of the Basilica of Saint Andrew in Vercelli. Photo: Luana Moraes Costa, 2024.

Vercelli played a very important role as a geopolitical crossroads during the construction of Saint Andrew’s Abbey. Situated along the Via Francigena, a major pilgrimage route connecting Canterbury to Rome, the city served as a meeting point for travelers, traders, and pilgrims from diverse backgrounds and cultures. This context of cultural exchange and interaction certainly influenced the basilica’s development and its significance as an architectural and religious landmark in the region.

Bibliography:

  • Italia.it. Basilica di Sant’Andrea. <https://www.italia.it/it/piemonte/vercelli/la-basilica-di-sant-adrea>
  • Sant’Andrea Verccelli Official Website. <https://santandreavercelli.com>
  • S. Baiocco, S. Castronovo, E. Pagella, Arte in Piemonte. Il Gotico, 2004, Priuli e Verlucca Editori, Ivrea, ISBN 88-8068-225-3.
  • G. Vergani, “L’Italia settentrionale. Le contaminazioni del Gotico”, in La Storia dell’Arte, Vol 5, cap. 13, 2006, Electa and La Biblioteca di Repubblica, Milan.
  • M. Cappellino, Il coro ligneo della basilica di S. Andrea. Agiografia Canonicale in un codice vercellese, 1989, Vercelli.